While Princess Diana's niece, Lady Kitty Spencer, is enjoying newly married life with South African fashion tycoon Michael Lewis, 62, her previous boyfriend has struck up a passionate romance with her 'double'.
I hear that property tycoon Niccolo Barattieri, 50, who went out with Earl Spencer's daughter, 30, for four years until 2017, is going out with Drew Evenson, 30, who not only bears an uncanny resemblance to Kitty with her model looks and long blonde hair, but is also a key figure in London's fashion and philanthropy circles.
I hear that property tycoon Niccolo Barattieri, 50, who went out with Earl Spencer's daughter, 30, for four years until 2017, is going out with Drew Evenson, 30, who bears an uncanny resemblance to Kitty
Hired by one of Diana's favourite designers, Amanda Wakeley, to head up her digital team, Drew is the founder of Rites, a clothes hire service that collaborates with charities such as the Lady Garden Foundation, for which ambassadors include Cara Delevingne and Samantha Cameron.
Born in Canada, a loved-up Drew admits: 'London has my heart right now.'
Princess Diana's niece, Lady Kitty Spencer (above), is enjoying newly married life with South African fashion tycoon Michael Lewis, 62 - while her previous boyfriend has struck up a passionate romance with her 'double'
The Duke and Duchess of Sussex were accused of being disrespectful for giving their daughter the Queen's family pet name, Lilibet.
Now, the monarch's bridesmaid Lady Pamela Hicks has revealed she was told off for using the moniker.
'The Queen's grandmother, Queen Mary, was very frightening,' explains Lady Pamela, Lord Mountbatten's daughter.
'She sent for me at a reception before I became lady-in-waiting, and said: 'I hear you're going out as Lilibet's lady-in-waiting. When you're in waiting, you'll remember not to call her Lilibet, just Ma'am.'
'So I saluted and went back. She was very fierce. Those were the days of fierce old ladies.'
When the National Portrait Gallery finally reopens its doors after a £35.5 million redevelopment, it won't be just the building near Trafalgar Square that visitors may find unrecognisable.
I hear that its collection is undergoing a 'woke' makeover which will see many of its portraits of 'stale, pale males' removed from its walls. In their place will be far more paintings and photographs of non-white faces.
'They are trying to say, 'We are multi-racial','
